赖俊杰, 1991年生于中国惠州）是当代中国最具国际活跃度的青年雕塑家之一。他于2015年获得清华大学美术学院雕塑学士学位，并于2019年以满分+的成绩毕业于意大利佛罗伦萨美术学院，获视觉艺术硕士学位，现任教于河北师范大学。 在十五年以上的艺术实践中，赖俊杰建立了跨越亚洲与欧洲的创作轨迹，作品多次参展并被中国、意大利及阿尔巴尼亚等国家的公共机构收藏。 曾获得清华大学美术学院郁金香杯金奖、清华大学美术学院爆破展银奖、获美国迈阿密艺术博览会大师奖入围奖、第五届意大利 STREGARTI 国家当代艺术奖 – 雕塑奖，阿尔巴尼亚都拉斯国际当代艺术双年展最优秀新人奖。曾在阿尔巴尼亚共和国驻华大使馆、北京金宝汇渡渡美术馆、石家庄市美术馆、意大利 VIADEIFOSSI 画廊、意大利 VIADEIFOSSI 画廊、意大利 CITTADICASTELLO SANDOMENICO 教堂、香格里拉高山美术馆举办个展。 近几年其作品参加了第20届意大利PARATISSIMA艺术节、第35届意大利帕多瓦艺术博览会、意大利罗马ART IN NUVOLE艺术博览会、中国美术家协会主办的第十四届全国美展、2023 临沂·全国雕塑作品展、2025中国雕学会主办的天行意动·第三届动态雕塑展、2025“在太行山上”全国雕塑作品邀请展、中国美协艺委会青年展系列：首届青年雕塑作品展，以及罗马国际艺术双年展、意大利卡塞塔当代艺术双年展、阿尔巴尼亚都拉斯国际当代艺术双年展、米兰国际艺术双年展、2023巴基斯坦国际当代艺术大展、第五届意大利 STREGARTI 国家当代艺术展、2025 巴黎卢浮宫ART SHOPPING当代艺术博览会等多个重要的国家级和国际展览。 益于清华大学美术学院与意大利佛罗伦萨国立美术学院的双重教育背景，赖俊杰的艺术创作兼具东西方文化视野与思辨深度，聚焦全球化与信息时代下人类面临的国际共同议题 —— 他以《信息茧房》《孤岛民》等系列作品，具象化呈现算法主导下全球个体普遍陷入的信息封闭、认知局限与精神孤独，用被包裹或疏离的雕塑形态，折射不分国界的时代困境；借 “鸭子系列” 将东西方经典形象与统一符号结合，反讽全球化进程中不同文化趋同、个性淡化的同质化问题，引发对文化多样性保护的国际思考；同时以传统雕塑技艺融合现代材料与技术，探讨全球范围内传统与现代艺术如何创新共生的共同命题，让作品成为跨越地域的时代镜像与精神共鸣。

Lai Junjie (born in Huizhou, China, in 1991) is one of the most internationally active young sculptors in contemporary China. He obtained a Bachelor of Arts degree in Sculpture from the Academy of Arts & Design, Tsinghua University in 2015, and graduated with the maximum grade (110/110 with honors) from the Accademia di Belle Arti di Firenze (Florence Academy of Fine Arts) in Italy in 2019, earning a Master of Arts degree in Visual Arts. He currently teaches at Hebei Normal University.

With over 15 years of artistic practice, LAI Junjie has built a creative trajectory spanning Asia and Europe. His works have been exhibited in numerous shows and collected by public institutions in China, Italy, Albania, and other countries. He has won many awards, including the Golden Tulip Award from the Academy of Arts & Design, Tsinghua University, the Silver Award at the “Blasting” Exhibition of the Academy of Arts & Design, Tsinghua University, a nomination for the Master Award at Miami Art Week (USA), the 5th Italian STREGARTI National Contemporary Art Award – Sculpture Category, and the Best New Artist Award at the Durrës International Contemporary Art Biennale (Albania).He has held solo exhibitions at the Embassy of the Republic of Albania in Beijing, the Du Du Art Gallery at Jinbaohui (Beijing), the Shijiazhuang Art Museum, Galleria VIA DEI FOSSI (Italy), the Church of San Domenico in Città di Castello (Italy), and the Shangri-La Alpine Art Museum.In recent years, his works have been featured in numerous important national and international exhibitions, such as the 20th PARATISSIMA Art Festival (Italy), the 35th Padova Art Fair (Italy), the ART IN NUVOLE Art Fair in Rome (Italy), the 14th National Art Exhibition of China organized by the China Artists Association, the 2023 Linyi National Sculpture Exhibition, the 3rd “Tianxing Yidong” Dynamic Sculpture Exhibition 2025 organized by the China Sculpture Institute, the 2025 “On Taihang Mountain” National Sculpture Invitational Exhibition, the China Artists Association Art Committee Youth Exhibition Series: The First National Youth Sculpture Exhibition, as well as the Rome International Art Biennale, the Caserta International Contemporary Art Biennale (Italy), the Durrës International Contemporary Art Biennale (Albania), the Milan International Art Biennale, the 2023 Pakistan International Contemporary Art Grand Exhibition, the 5th Italian STREGARTI National Contemporary Art Exhibition, and the 2025 Art Shopping Contemporary Art Fair at the Louvre in Paris.Benefiting from his dual academic background – from the Academy of Arts & Design, Tsinghua University and the Accademia di Belle Arti di Firenze – LAI Junjie’s artistic creation combines Eastern and Western cultural perspectives with profound reflection, focusing on common human issues in the era of globalization and information. Through series such as Information Cocoon and Island Dwellers, he materializes the information isolation, cognitive limitations, and spiritual loneliness that affect individuals worldwide under the dominance of algorithms, reflecting a borderless era predicament through wrapped or distant sculptural forms. With the “Duck Series”, he integrates classic Eastern and Western images with unified symbols, ironyizing the cultural homogenization that accompanies globalization (a phenomenon that weakens unique identities) and inspiring international reflections on the protection of cultural diversity. Meanwhile, he fuses traditional sculptural techniques with modern materials and technologies, exploring the global common proposition of innovative coexistence between traditional and contemporary art, making his works an era mirror and spiritual resonance that transcends geographical boundaries.