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Nadia Galbiati

Born in 1975, she graduated from the sculpture course of the Academy of Fine Arts – Brera in Milan in 1999. She lives and works in Milan.
Her research focuses on the analysis of space as matter and form, through the reinterpretation of structures.
Her work focuses on the analysis of space as matter and form, through the reinterpretation of architectural structures, in the realization of sculptural works, panels and installations.
For the artist, the corner is the first element of an alphabet of signs capable of representing space, and it is on it that he articulates his plastic language, always in relation to the place.

Nadia Galbiati

Born in 1975, she graduated from the sculpture course of the Academy of Fine Arts – Brera in Milan in 1999. She lives and works in Milan.
Her research focuses on the analysis of space as matter and form, through the reinterpretation of structures.
Her work focuses on the analysis of space as matter and form, through the reinterpretation of architectural structures, in the realization of sculptural works, panels and installations.
For the artist, the corner is the first element of an alphabet of signs capable of representing space, and it is on it that he articulates his plastic language, always in relation to the place.

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Nadia Galbiati, sculptress from Milan, bases her research on the study of angles in contemporary architecture, and their fundamental role to define a physical space, placing them the as foundation of the relationship between empty space and material.  Her sculptures are the synthetic result of the analytic observation of these angles, in relation to the volumes and lines in urban spaces and architectures – with a predilection for the rational architecture of the 1930s. By reinterpreting the urban landscape and the macrostructures of buildings into sculptures and engraved metal plates of relatively small dimensions, Galbiati creates a new type of space – slightly reminded of El Lissitzky and the Bauhaus and constructivist movements – where the viewer becomes suddenly aware of the Taoist balance between full and empty, solid and aery.

Solo shows selection:

2021        Wide angle, Luisa Catucci Gallery, Berlin, Germany, (doppi personale with Enrico Pietracci)

2019        Frammenti di città, Studio Museo Francesco Messina (MI), curated by Alberto Fiz 

                 Angolo di contatto, Azimut – Capital management, Brescia, curated by Alessia Locatelli 

2018         Luoghi, E3 artecontemporanea ,Brescia, curated by Simona Bartolena

2017         Luoghi, MAM museo, Gazoldo degli Ippoliti (MN), curated by Gianfranco Ferlisi

2014         Opera Incisa 2007/2014, Stamperia del Tevere, Roma, testo critico and essayed by Alessia Locatelli

2013         Spazio Costruito , CityART, Milano, curated by Jacqueline Ceresoli

2012         Logica dell’Angolo  Logic of the Angle, Studio Vanna Casati , Bergamo, curated by Kevin McManus

                 Estetica dell’Angolo The Aesthetic of the Angle, Spazio arte Pisanello –Fondazione Toniolo, Verona, curated by 

                 Ilaria Bignotti

2011        Architettura Di/Segnata, Leo Galleries, Monza curated by Giorgio Bonomi

2010        In/De – Finito. Stabilire, rappresentare and costruire lo spazio, Arte Fuori Centro, Roma curated by Matteo Galbiati,

                Visioni futuriste with Claudia Canavesi, Spazio Mercantile Varese

2008        La luce and lo spazio nell’arte antica and contemporanea with Claudia Canavesi, Casa della Danza-Mie, Kuzukubo Art Camp, Fujimi (Giappone Japan),

                  Vuoto and materia. Scultura totale with Claudia Canavesi, 500 Art Garage Torino, progetto project by Transport+ and testo critico and essayed by Matteo Galbiati

2007        Estensione dell’architettura tra spazio and materia with Claudia Canavesi, Nowhere Gallery  Milano testo critico and essayed by Matteo Galbiati,

                  Progettazione Tentativa with Claudia Canavesi presentazione del libro d’artista, Sala del Maniscalco, Palazzo Ducale, Urbino (PU)

2003        Frammenti di Spazi con with Claudia Canavesi, Circolo Culturale Bertolt Brecht, Milano, testo critico and essayed by Nicoletta Bergamasco and

                  intervista and interview by Jacqueline Ceresoli

2002        Progetto Unitario: Rapporto Scultura – Luogo with Claudia Canavesi, Spazio Laboratorio Hajech Milano

 

Group shows selection

  1.     NERO. Dal segno alla forma, Civica Raccolta del Disegno di Salò (BS), curated by Anna Lisa Ghirardi 

2012       Landscape, E3 arte contemporanea, Brescia

                Assonanze, discordanze, forme and libertà di movimento al tempo del Nuovo Rinascimento, Fabbrica del Vapore, Milano, curated by Claudia Migliore

                Roma Arte in nuvola, fiera d’arte contemporanea, galleria E3 arte contemporanea, Roma

 

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